It's a total lie." This perspective seems like an oversimplification of the film, as it overlooks Theron's nuanced portrayal of Wuornos as a dangerous and volatile woman, who was also damaged and conflicted. Tanner told ABC News, "Anyone that sees that film is left with the impression that - at least some of the men that were murdered deserved to die and that she was acting in self-defense. Despite these protections and the fact that she consented to the adoption, Wuornos had a falling out with Arlene and Robert Pralle because she found out that they actually were making money from doing interviews about her (per Buffalo News).Ĭharlize Theron, who was also a producer on the project, never consulted with the prosecutor, John Tanner, which makes some think her representation of Wuornos was biased. However, a felon's dependents can receive payments, but the nature of the Pralles' adoption would have made it difficult to say that they were dependents of Wuornos. In fact, Wuornos herself wasn't in a position to do so, as Florida's "Son of Sam" law prevents felons from financially benefiting from their crimes through royalties on their stories. Arleen told The Tampa Bay Times that God compelled her to reach out to adopt Wuornos, saying, "The reason we did it is we want her to know what it feels like to have a family that really cares about her."Īccording to The Tampa Bay Times, the adoption was not a ploy for the Pralles to make money from book or movie deals based on Wuornos' life. Horse breeders and trainers Arlene and Robert Pralle petitioned the court and legally adopted Wuornos in 1991. But Wuornos was adopted yet again as an adult, while she was in prison. First, she and her brother were adopted by their grandparents, after their mother left them (per "Dead Ends," by Michale Reynolds). Wuornos was legally adopted not once but twice in her lifetime.
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